As it’s Remembrance Sunday, here’s an image from the Anne S K Brown collection that rather startled me while browsing. This unsigned watercolour is attributed to Robert Dighton junior, and certainly has the look of his style. The collection’s cataloguer has tagged it as a staff officer in undress uniform circa 1805, which may or may not be right; at any rate, we no longer know who he was.
Dighton junior is better known for the light cavalry officers whose dandyism he details with almost homoerotic enthusiasm, but here the elegant white pantaloons terminate in an artificial leg whose inelegant form insults its living partner. Military images of the period avoid showing dismemberment; the dead and dying tend to fall gracefully and unbloodied, often in classical positions. Dighton’s matter-of-fact portrait is unusual. One wonders how an officer missing half a leg managed to continue in service, unless in an invalid battalion, but the alternative, I suppose, would have been the misery of half-pay.
It would be better if the world had found a way to enjoy the dandyism and avoid the dismemberment, but so far it hasn’t, and that’s a fact. In the final analysis, there’s nothing good about war.
Some posts back – here’s a link – I dug out my vintage sketch of the multi-buttoned jacket of Captain John Brown of the Sheffield Local Militia post 1808, at one time (still??) in the Weston Park Museum in Sheffield, and compared that little known item with the Royal Collection’s much more familiar Dighton painting of a light infantry officer of the South Gloucestershire Militia circa 1804. Here’s something similar, just because I like it – the light infantry style jacket of Captain John Cornock of the Berkeley Volunteers of Gloucestershire, post 1803. The zig zag wings are styled like the militia jacket, but this garment is double breasted, with two rows of buttons only, so a tad short of the full “cavalry” effect.
The jacket is on show in the Soldiers of Gloucestershire Museum at Gloucester Docks, where I snapped it recently – well worth a visit, with a good smattering of stuff from other Napoleonic period auxiliary units of the county. Curiously, the jacket is currently on show buttoned in reverse, while on the Museum’s website it’s been shown buttoned correctly, and with a triangle of the inside facing colour thrown open on the lapel. (At present, getting up images on the Museum’s site seems problematic, but that may just be me.)
The jacket has white cord trim throughout. The braid and fringe on the wings looks silverish now, but I’m assuming it’s gold, given the gilt buttons, which show “ByV” in intertwined script. The cuffs are split at the rear, and it’s interesting to see how the lower edges of the sloping false pockets are lined up with the turnbacks, which are in the facing colour, with a tiny loop of cord at the point. The pictures should make things clear – click to enlarge – but please excuse the reflections from the display case. A great item.
A complementary full tailed coat in orthodox style with buttons in pairs, also Cornock’s, is also held by the Museum, but is not on display. The two garments were documented way back in JSAHR Vol XXXIX.